vp9
Unterschiede
Hier werden die Unterschiede zwischen zwei Versionen angezeigt.
| Beide Seiten der vorigen RevisionVorhergehende ÜberarbeitungNächste Überarbeitung | Vorhergehende Überarbeitung | ||
| vp9 [2023-06-02 23:57:27] – [SDR vs. HDR] manfred | vp9 [2023-06-12 22:39:16] (aktuell) – [VP9] manfred | ||
|---|---|---|---|
| Zeile 1: | Zeile 1: | ||
| + | ====== VP9 ====== | ||
| + | |||
| + | siehe auch [[:: | ||
| + | |||
| + | __Ein Film aus dem Video-Codec '' | ||
| + | Der Video-Codec '' | ||
| + | Leider kann der Container '' | ||
| + | |||
| + | Hilfe zu VP9-Kodec: | ||
| + | ffmpeg -h encoder=libvpx-vp9 | ||
| + | |||
| + | ein einfaches Kommando: | ||
| + | ffmpeg -i input.avi -map 0:v -c:v libvpx-vp9 -crf 32 -b:v 0 -c:a libvorbis -q:a 6 -map 0:a:0 -c:s copy -f matroska film.mkv | ||
| + | ffmpeg -i input.avi -map 0:v -c:v libvpx-vp9 -crf 32 -b:v 0 -cpu-used 4 -speed 4 -sharpness 0 -tune ssim -aq-mode 1 -row-mt 1 -c:a libvorbis -q:a 6 -map 0:a:0 -c:s copy -f matroska film.mkv | ||
| + | |||
| + | HDR in SDR umwandeln: | ||
| + | ffmpeg -i input.avi -pix_fmt yuv420p10le -color_primaries 9 -color_trc 16 -colorspace 9 -color_range 1 -map 0:v -c:v libvpx-vp9 -crf 32 -b:v 0 -c:a libvorbis -q:a 6 -map 0:a:0 -c:s copy -f matroska film.mkv | ||
| + | ffmpeg -i input.avi -pix_fmt yuv420p10le -color_primaries 9 -color_trc 16 -colorspace 9 -color_range 1 -map 0:v -c:v libvpx-vp9 -crf 32 -b:v 0 -cpu-used 4 -speed 4 -sharpness 0 -tune ssim -aq-mode 1 -row-mt 1 -c:a libvorbis -q:a 6 -map 0:a:0 -c:s copy -f matroska film.mkv | ||
| + | |||
| + | einen Film im Zeilensprungverfahren in den progressiven Bildaufbau umstellen (ist sehr langsam): | ||
| + | ffmpeg -i input.avi -map 0:v -c:v libvpx-vp9 -crf 32 -b:v 0 -vf yadif=1/ | ||
| + | ffmpeg -i input.avi -map 0:v -c:v libvpx-vp9 -crf 32 -b:v 0 -cpu-used 4 -speed 4 -sharpness 0 -tune ssim -aq-mode 1 -row-mt 1 -vf yadif=1/ | ||
| + | |||
| + | einen kompletten 16/9-Film scannen bevor mit dem kodieren begonnen wird: | ||
| + | ffmpeg -probesize 9223372036854M -analyzeduration 9223372036854M -fflags +genpts -i film.avi -map 0:v -c:v libvpx-vp9 -crf 32 -b:v 0 -vf scale=1024x576, | ||
| + | ffmpeg -probesize 9223372036854M -analyzeduration 9223372036854M -fflags +genpts -i film.avi -map 0:v -c:v libvpx-vp9 -crf 32 -b:v 0 -cpu-used 4 -speed 4 -sharpness 0 -tune ssim -aq-mode 1 -row-mt 1 -vf scale=1024x576, | ||
| + | |||
| + | |||
| + | ===== SDR vs. HDR ===== | ||
| + | |||
| + | # SDR (8 Bit) | ||
| + | ffmpeg -i Film.mkv -profile:v 0 -c:v libvpx-vp9 ... | ||
| + | |||
| + | [[https:// | ||
| + | |||
| + | # SDR (8 Bit) mit konstanter Qualität und 2-Pass-Codierung, | ||
| + | ffmpeg -i Film.mkv -c:v libvpx-vp9 -crf 32 -b:v 0 -color_range 1 -profile:v 0 -pass 1 -an -sn -f null /dev/null && \ | ||
| + | ffmpeg -i Film.mkv -c:v libvpx-vp9 -crf 32 -b:v 0 -color_range 1 -profile:v 0 -pass 2 strobe_scientist_crf32.webm | ||
| + | rm -f ffmpeg2pass-0.log | ||
| + | |||
| + | HDR (10/12 Bit) erfordert eine 2-Pass-Codierung! | ||
| + | |||
| + | [[https:// | ||
| + | |||
| + | # HDR-Codierung nach SMPTE 2084 (PQ EOTF) | ||
| + | ffmpeg -i Film.mkv -b:v 18000000 -pass 1 -pix_fmt yuv420p10le -color_primaries 9 -color_trc 16 -colorspace 9 -color_range 1 -maxrate 26800000 -minrate 8040000 -profile:v 2 -c:v libvpx-vp9 -f null /dev/null && \ | ||
| + | ffmpeg -i Film.mkv -b:v 18000000 -pass 2 -pix_fmt yuv420p10le -color_primaries 9 -color_trc 16 -colorspace 9 -color_range 1 -maxrate 26800000 -minrate 8040000 -profile:v 2 -c:v libvpx-vp9 2pass_HDR_Film_18Mbps.webm | ||
| + | rm -f ffmpeg2pass-0.log | ||
| + | |||
| + | # Beispiel 18 Mbit/s 4K 2-Pass | ||
| + | ffmpeg -y -report -i Film.mkv -b:v 18000000 -speed 4 -pass 1 -pix_fmt yuv420p10le -color_primaries 9 -color_trc 16 -colorspace 9 -color_range 1 -maxrate 20800000 -minrate 15040000 -profile:v 2 -vcodec libvpx-vp9 -f null /dev/null && \ | ||
| + | ffmpeg -y -report -i Film.mkv -b:v 18000000 -pass 2 -pix_fmt yuv420p10le -color_primaries 9 -color_trc 16 -colorspace 9 -color_range 1 -maxrate 20800000 -minrate 15040000 -profile:v 2 -vcodec libvpx-vp9 2pass_HDR_Film_18Mbps-static.webm | ||
| + | rm -f ffmpeg2pass-0.log | ||
| + | |||
| + | # HDR (10/12 Bit) mit konstanter Qualität und 2-Pass-Codierung, | ||
| + | ffmpeg -i Film.mkv -c:v libvpx-vp9 -crf 32 -b:v 0 -pix_fmt yuv420p10le -color_primaries 9 -color_trc 16 -colorspace 9 -color_range 1 -profile:v 2 -pass 1 -an -sn -f null /dev/null && \ | ||
| + | ffmpeg -i Film.mkv -c:v libvpx-vp9 -crf 32 -b:v 0 -pix_fmt yuv420p10le -color_primaries 9 -color_trc 16 -colorspace 9 -color_range 1 -profile:v 2 -pass 2 2pass_HDR_Film_crf32.webm | ||
| + | rm -f ffmpeg2pass-0.log | ||
| + | | ||
| + | ffmpeg -i Film.mkv -c:v libvpx-vp9 -crf 32 -b:v 0 -color_primaries 9 -color_range 1 -profile:v 2 -pass 1 -an -sn -f null /dev/null && \ | ||
| + | ffmpeg -i Film.mkv -c:v libvpx-vp9 -crf 32 -b:v 0 -color_primaries 9 -color_range 1 -profile:v 2 -pass 2 2pass_HDR_Film_crf32.webm | ||
| + | rm -f ffmpeg2pass-0.log | ||
| + | |||
| + | ggf. sollte man überlegen, HDR-Material in AV1 zu transkodieren... | ||
| + | |||
